Showing posts with label crucifixion. Show all posts
Showing posts with label crucifixion. Show all posts

Saturday, April 3, 2010

Meditations For The Cross

Leonard Cohen Story Of Issac:
You who build these altars now
to sacrifice these children,
you must not do it anymore.
A scheme is not a vision
and you never have been tempted
by a demon or a god.
You who stand above them now,
your hatchets blunt and bloody,
you were not there before,
when I lay upon a mountain
and my father's hand was trembling
with the beauty of the word.




Leonard Cohen The Butcher:
I came upon a butcher,
he was slaughtering a lamb,
I accused him there
with his tortured lamb.

....

I saw some flowers growing up
where that lamb fell down;
was I supposed to praise my Lord,
make some kind of joyful sound?




A few thoughts from Harry Emerson Fosdick:
Must we, then, go on forever, using the analogy of bloody animal sacrifice to express our interpretation of Christ’s death? I answer emphatically, No! Here, once more, some clergymen confuse those whom they would persuade by using an obsolete, contemporaneously meaningless vocabulary.

....

I take it that the way I have just put the matter is at least understandable. It states the meaning of Christ’s cross in familiar words. So, age after age, Christians, feeling the necessity of explaining Christ’s sacrificial death, have thought and spoken about it in the terms of their own generation. As the Eskimo houses his family in igloos of snow and ice because they are the materials at hand, while a dweller in the tropics uses bamboo and palmwood for the same reason, so different generations have enshrined their explanations of Christ’s death in terms of thinking peculiar to their times. The result we call theories of the atonement. Isn’t it a paradox that some of the most controversial words in Christian theology -- "Trinity" and "atonement," for example -- are not to be found in the New Testament? In the King James Version "atonement" occurs only once -- Romans 5: l l --but the revised versions correct that translation and use "reconciliation."

At any rate, what we call theories of the atonement have been many and varied. I must not undertake to give you a course in theology, but just to relieve your mind of any suspicion that there is one orthodox doctrine of the atonement, which a Christian is expected to accept, let me give you a sample or two.

The earliest Christian literature, deeply and gratefully impressed by the fact that "God was in Christ, reconciling the world unto himself," and that the cross was the indispensable factor in that reconciliation, did not at first theorize about how the death of Christ saved men. Analogies from current life were used: Christ’s death was a ransom, by which slaves of sin were freed from serfdom, or the paying of a debt, which released the debtor from his prison. But then the theologians began to speculate -- Origen, for example, in the third century. His theory was that man’s sin had put man in thralldom to Satan, so that Satan owned mankind. But Satan bargained with God that he would surrender his lordship over fallen man, if God would give him his Son in exchange. So Christ came to earth and was crucified, and man was set free, but the bargain turned out to be a "pious fraud" on God’s part, for by his resurrection from Sheol Christ escaped from Satan after all. Believe it or not, that theory of the atonement, in one form or another, was orthodox doctrine for centuries!

Then, in the eleventh century, Anselm came and started off on another tack. His thinking was thoroughly saturated with Roman legalism. "Every sin must be followed either by satisfaction or punishment"-- that was his basic principle. God to him was the infinite Feudal Lord. Every man, being the Lord’s vassal, owed him perfect obedience. For a man to sin is to defraud God of his due, and so by dishonoring the Infinite to acquire infinite guilt. But infinite guilt demands infinite punishment, in man’s case his eternal doom in hell. There is only one way out: the infinite price must be paid. Man, being finite, cannot do this, neither can anyone not human do it, for because the sin is human the reparation must be made by the human. Therefore, only the God-man, both deity and humanity, can make the necessary sacrifice. This Christ does in his death on Calvary. He pays the adequate ransom, not as in Origen’s theory to Satan, but to God.

....

How pitifully inadequate all our analogies are to explain what the ancients rightly called the mysterium crucis, the mystery of the cross! We face there one of the basic principles of creation, vicarious sacrifice: any salvation from human need dependent on someone, who does not have to do so, voluntarily caring enough to identify himself with the needy and give his sacrificial all for their help. That principle is surely at the very heart of Calvary’s meaning. But, the older I grow, the more I think that I understand the cross best when I stop trying to analyze it and just stand in awe before it.

Richard Beck On A Christus Victor Reading Of Mel Gibson's The Passion Of The Christ

Christus Victor and Mel Gibson's The Passion Of The Christ:

Last night Jana and I watched Mel Gibson's The Passion of the Christ. We had seen the film when it first came out. And as you know, there was a lot of conversation swirling around the movie's release. So it was hard then to watch The Passion independently of the controversy surrounding the film. Everyone wanted to know "What did you think about it?", "Was it too violent?", "Was it anti-Semitic?". So I knew then I'd want to wait a few years to watch the movie one more time to revisit my feelings about the film. So we got the movie on NetFlix and watched it, purposefully, on Good Friday.

.............

All in all, then, although there are overtones of penal substitutionary atonement in the film, one could approach the film from a Christus Victor perspective. All the physical trauma is from Satan who is intent upon breaking Christ's will and body. The only view of God the Father is a single tear, a symbol of sympathy and sadness not judgment and wrath. The climatic moment of the film is the defeat of Satan and the military drumbeat of the resurrection.

And there is another interesting point in the movie that hearkens back to early church thought regarding Christus Victor and ransom theory. If Satan knew that the death of Jesus would redeem the world why would Satan allow Jesus to be crucified? Some of the church fathers posited a bit of cosmic trickery. God was hidden inside the human Jesus. And, like the Trojan Horse, after Jesus' death Satan takes Jesus into hell thinking he's won the fight. Unfortunately, Satan has brought God Himself into hell! God in Christ then cracks open the gates of hell and sets Satan's captives free. What is interesting in The Passion is that in the confrontation in the garden Satan seems unsure about who, exactly, Jesus is. Satan seems to get his answer when Jesus crushes the head of the snake, but Satan's initial uncertainty about Jesus' true identity is interesting in light of church history. It highlights, once again, the Christus Victor themes, the confrontation between God and Satan in the person of Jesus.

Does any of this rescue The Passion on theological grounds? I have no idea. Mainly I wanted to see if another view, one other than penal substitutionary atonement, could rehabilitate the film. My conclusion is that a plausible Christus Victor reading does work for the film and may, in fact, be a better fit for the film than penal substitutionary atonement. We can read the violence in the film as Satanic in origin rather than coming from the Father. This doesn't remove the penal substitutionary overtones in the movie, but those overtones come from biblical themes and Gibson can't be faulted for including them. But my take is that the penal substitutionary overtones are more subtle than the consistent, beginning to end, Christus Victor themes.


Read the whole post: Here.

Friday, April 2, 2010

Good Friday: How The World's Biggest Hate Crime Leads To Hope



Drew Tatusko on Good Friday:
the triumphal entry turned into a blood-thirsty mob

Good Friday is evil. There is nothing "good" about it. After all what do Christians say in their confessions about the crucifixion? This is what Protestants all over will say on Esater Sunday about the crucifixion as a confession of faith:

(Jesus) suffered under Pontius Pilate,
was crucified, dead, and buried;

He descended into hell.


There is a strange fascination with many Christians that looks at the cross as a gift. It is the punishment of sin that we don't have to endure because God decided to do it to his Son. For that we are to be thankful. Thankful? For a God who kills off his only son? We are to be thankful for a God who commits human sacrifice after stopping Abraham from killing Isaac?

....

Jesus came as a human being who sacrificed his human will fully in order to observe the will of God. When the two wills have been so intertwined this becomes the true son of God. His true divinity is his true humanity. One would think that this would be a good death on the cross. Of one who fought the good fight to reveal the Kingdom of God as a hero. But it's not. As Brandon Mouser says today:

He’s hanging on a cross and asks God, why he’s doing this to him. Why, in this hour when it would be tops to have the one person he should be able to count on to be there and offer comfort, why has God left him?

And God responds with a most deafening silence.

Crickets.


This is not a good death. It's an horrific death. The only people to blame are people; the same people who welcomed him as an ironic king demand his death and torture under Roman law. And it gets worse. Even with Jesus, the only one who had fully conformed to the will of God, hanging in torture on a cross as a result of his obedience, God still despises the sacrifice. It is the logical result of sin.

Good Friday is not good. Good Friday is the day when the holy becomes grotesque.

We now have to sit in somber mediation for the evils that we do that continue try to kill off God and place humankind above who God is.

Jesus is dead. God is dead.

If we cannot love Jesus dead, we cannot love him when he rises on Sunday.

To put this cart before the horse is perhaps the greatest blasphemy in the history of the Christian church.
Read the whole post: Here.

Friday, April 10, 2009

Good Friday Meditation



John 19:31-37

31Now it was the day of Preparation, and the next day was to be a special Sabbath. Because the Jews did not want the bodies left on the crosses during the Sabbath, they asked Pilate to have the legs broken and the bodies taken down. 32The soldiers therefore came and broke the legs of the first man who had been crucified with Jesus, and then those of the other. 33But when they came to Jesus and found that he was already dead, they did not break his legs. 34Instead, one of the soldiers pierced Jesus' side with a spear, bringing a sudden flow of blood and water. 35The man who saw it has given testimony, and his testimony is true. He knows that he tells the truth, and he testifies so that you also may believe. 36These things happened so that the scripture would be fulfilled: "Not one of his bones will be broken,"[b] 37and, as another scripture says, "They will look on the one they have pierced."[c] (NIV)


The Blood and Water from His Side

St. John Chrysostom- Early Church Father and Doctor of the Church


This reading is an excerpt of The Catecheses (Cat. 3, 13-19; SC 50, 174-177) by St. John Chrysostom, one of the greatest Early Church Fathers of the 5th Century. It is used in the Roman Church's Office of Readings for Good Friday with the accompanying biblical reading of Hebrews 9: 11-28 and is a powerful meditation on the passion. But it also tells us much about the connection between the passion and the sacraments of Baptism and the Eucharist which flow from the paschal mystery and connect us to its saving power.

If we wish to understand the power of Christ’s blood, we should go back to the ancient account of its prefiguration in Egypt. “Sacrifice a lamb without blemish”, commanded Moses, “and sprinkle its blood on your doors”. If we were to ask him what he meant, and how the blood of an irrational beast could possibly save men endowed with reason, his answer would be that the saving power lies not in the blood itself, but in the fact that it is a sign of the Lord’s blood. In those days, when the destroying angel saw the blood on the doors he did not dare to enter, so how much less will the devil approach now when he sees, not that figurative blood on the doors, but the true blood on the lips of believers, the doors of the temple of Christ.

If you desire further proof of the power of this blood, remember where it came from, how it ran down from the cross, flowing from the Master’s side. The gospel records that when Christ was dead, but still hung on the cross, a soldier came and pierced his side with a lance and immediately there poured out water and blood. Now the water was a symbol of baptism and the blood, of the holy eucharist. The soldier pierced the Lord’s side, he breached the wall of the sacred temple, and I have found the treasure and made it my own. So also with the lamb: the Jews sacrificed the victim and I have been saved by it.

“There flowed from his side water and blood”. Beloved, do not pass over this mystery without thought; it has yet another hidden meaning, which I will explain to you. I said that water and blood symbolized baptism and the holy eucharist. From these two sacraments the Church is born: from baptism, “the cleansing water that gives rebirth and renewal through the Holy Spirit”, and from the holy eucharist. Since the symbols of baptism and the Eucharist flowed from his side, it was from his side that Christ fashioned the Church, as he had fashioned Eve from the side of Adam Moses gives a hint of this when he tells the story of the first man and makes him exclaim: “Bone from my bones and flesh from my flesh!” As God then took a rib from Adam’s side to fashion a woman, so Christ has given us blood and water from his side to fashion the Church. God took the rib when Adam was in a deep sleep, and in the same way Christ gave us the blood and the water after his own death.

Do you understand, then, how Christ has united his bride to himself and what food he gives us all to eat? By one and the same food we are both brought into being and nourished. As a woman nourishes her child with her own blood and milk, so does Christ unceasingly nourish with his own blood those to whom he himself has given life.

(Read More: Here).
See also: Blood And Water From The Side Of Christ, DEATH OF JESUS and Aquinas On The Blood And Water From The Side Of Christ.


Here are the lyrics to Double Cure:
Double Cure
Run Time: 5:09
Written by Bill Mallonee for Fingerprint Records and CyBrenJoJosh (BMI) ©1996

yeah today i'm sick of all i am
today is my setback
first i swear i love you
then i stab you in the back

i wanna drink out of that fountain
on a hill called double cure
i wanna show you my allegiance Lord
yes i wanna be a son of Yours

so tired of all my toys
they never last for long
they keep beaming dreams and wishes
to a big dish on my front lawn

bet you all have got a story
you're just aching to tell
haven't we thrown our coinage
down the wishing well

so go and call your neighbor
proceed with all due haste
go grab your wife and sweet family
see there is no time to waste

we're gonna drink out of that fountain
on a hill called double cure
i wanna show you my allegiance Lord
yes i wanna be a son of Yours

ask me why i love Him
He gave riches to this poor
yes and i will one day see that face
over yonder shore

---Did You Know?

A number one single for the Vigilantes of Love, "Double Cure" remains a favorite of many fans and a favorite of Bill's wife, Brenda, who claims it will always be her favorite. In the words of Bill, this is "a song about understanding how close God is when He seems the farthest away." The song begins to the tune of "All Hail The Power Of Jesus Name." The phrase "Double Cure" was taken from a verse of the hymn "Rock of Ages." It is a reference to being cleansed from both sin's guilt and power. The recording of this song was the first time that Tom Crea, Chris Bland and Bill had been in the studio together. VoL was nominated for a Dove Award for this song. They lost to a song called "Epidermis Girl" by Bleach.
---------------------------------------------------

Double Cure (Reprise)
Run Time: 3:42
Written by Bill Mallonee for Fingerprint Records and CyBrenJoJosh (BMI) ©1996

today i'm sick of all i am
today is my setback
first i say i love you
i stab you in the back

wanna drink out of that fountain
on a hill called double cure
show you my allegiance Lord
i wanna be a son of Yours

i'm tired of all my toys
they never last for long
they're beaming dreams and wishes
to a big dish on my lawn

i bet you've got a story
you've been aching to tell
i bet you've thrown some coinage
down the wishing well

go and call your neighbor
there is no time to waste
get your wife and family
proceed with all due haste

you ask me why i love Him
He gave riches to the poor
i will one day see that face
over yonder shore

Sunday, April 5, 2009

The Cross And The Resurrection

James McGrath has this quote in his recent post from Marcus Borg via John Shuck:
Sunday, April 5, 2009
Quote of the Day (John Shuck)
"The way of cross is more than the way of resisting social, economic, and political injustices. But...the way of the cross is not less than that. "

-- John Shuck, "The Executed God: A Sermon"
Posted by James F. McGrath at 5:23 PM
Labels: cross, economic, injustice, John Dominic Crossan, John Shuck, Marcus Borg, Palm Sunday, political, resistance, sermon, social, theology


See: Exploring Our Matrix: Quote of the Day (John Shuck) and Shuck and Jive: The Executed God: A Sermon. Another good quote from John Shuck's post is:
To quote James Baldwin (The Fire Next Time, quoted in The Executed God, pg. 1):
If the concept of God has any validity or any use, it can only be to make us larger, freer and more loving. If God cannot do this, then it is time we got rid of him.


Anyways I believe Borg's quote ties the crucifixion and resurrection neatly together. Here is another quote from Borg on the Way Of The Cross from Jesus: Uncovering the Life, Teachings, and Relevance of a Religious Revolutionary:
"To take Jesus seriously is to follow him. To follow him is to participate in his passion. And his passion was God and the kingdom of God. The way of the cross leads to a life in God and participation in the passion of God known in Jesus."
It is easy to see that the crucifixion and the Resurrection event are two sides of the same coin or as The Seeking Disciple over at Arminian Today: The Resurrection Matters observes:
Each year around this time we in the Church of Jesus Christ turn our hearts toward the wonderful reality of the resurrection of Jesus Christ from the dead. The resurrection of Jesus is vital to our faith and, as Paul wrote in 1 Corinthians 15:14, our faith depends on the fact of the resurrection. If Christ is not risen from the dead and His body is still in the tomb in Israel then our faith is in vain. We are believing a lie.

But if Christ is truly risen from the dead then our faith is not just faith in the teachings of Jesus but our faith is based on an actual, historical event taking place in our time-space in order to bring the truth of God to us. If Jesus is risen from the dead, everything changes. Missions matters. Worship matters. Prayer matters. Faith matters. Apologetics matters. Discipleship matters. Teaching my children the truths of Scripture matters.

But only if Jesus is risen from the dead does this make a difference.

The early Church stood on the resurrection of Christ. They were not delusional in their understanding of the living Jesus. In fact, the Gospels paint a picture not of willing Jews wanting their Master to rise from the dead but scared Jewish men and women who honestly believed that Jesus was dead (Luke 24:20-21). Take Thomas in John 20:24. Thomas stands in line with many others who would come after him who doubted that Jesus was risen from the dead but Jesus appeared to him and convinced him that Jesus was not a ghost or a vision but was in fact the risen Messiah (John 20:26-29). Peter himself said that the gospel was not words or visions or prophecies but was in fact based on two things: their eye witness accounts and the Scriptures (2 Peter 1:16-21). Paul the Apostle, in 1 Corinthians 15:1-8, did two things at once. First most commentators believe that Paul was quoting an early Christian hymn or creed (vv.3-4) and then Paul gives eye witnesses to Jesus' resurrection (vv.4-8) that he says are alive (though some had died since Christ had risen) for the Corinthians to investigate. If Paul did not believe that Jesus was alive and that he had seen the risen Messiah, he would not have included living eye witnesses for the Corinthians to follow up with.
....
The resurrection matters. Does it matter in your life?


I agree as faith in the unseen Risen Lord is the hope which drives us even if we see but through a glass darkly. Also part of the change the resurrection bestows upon us is to practice the Way Of The Cross.

Wednesday, October 1, 2008

Cool Hand Luke Part 2

Last week, we finished Cool Hand Luke, so this week we discussed Christ-figures in film. After a brief sketch of ideas, we looked at two scenes from Superman---so here are some ideas of Superman as messianic archetype:

Divine Paternity

[5] David Bruce considered the infant Kal-El (Lee Quigley) to be the only begotten son of Jor-El (Marlon Brando), thus forming the second member of the Holy trinity (Matt. 28:19).12 Kal-El was the son of Jor-El just as Jesus was �the Son of God� (Mark 1:1; Heb. 10:29; 1 John 4:15). Indeed, in Superman II (hereafter S2), Lex Luthor (Gene Hackman) described Superman (Christopher Reeve) as �the son of Jor El� thereby mimicking the biblical form. To further establish the paternity of the Jor-El/Kal-El, God/Jesus, Father/Son relationship, the holographic Jor-El in the newly constructed Fortress of Solitude specifically referred to Kal-El as �my son� and to himself as �your father.� Their indissoluble genetic link was further indicated by their respective hairstyles. The stately Jor-El, the teenage Clark Kent (Jeff East) and the adult Superman (but not the adult Clark Kent) had cute forelocks dangling upon their foreheads. This biological fact resonated with Jesus�s identity claim that: �if ye had known me, ye should have known my Father also� (John 14:7).

---http://www.unomaha.edu/jrf/superman.htm

------------------
My Thoughts:

First, Kal-El and Jor-El are plays on the generic Hebrew names for God: אל (El)-singular and אֱלוֹהִים (Elohim)-plural.

Secondly, A transliteration of Jesus’ Hebrew name, which means “Jesus the Messiah.”---also, spells the tetragrammaton out in initials, which is God’s revealed name.
יהוה or Yahweh and Jesus is Yahshua or יהשוה.

Third, http://www.google.com/search?sourceid=navclient&aq=t&ie=UTF-8&rlz=1T4GGIH_enUS266US266&q=Superman+as+Christ+figure for further info.

Last, http://en.wikipedia.org/wiki/Superman should provide more info---especially:

Influences
An influence on early Superman stories is the context of the Great Depression. The left-leaning perspective of creators Shuster and Siegel is reflected in early storylines. Superman took on the role of social activist, fighting crooked businessmen and politicians and demolishing run-down tenements.[33] This is seen by comics scholar Roger Sabin as a reflection of "the liberal idealism of Franklin Roosevelt's New Deal", with Shuster and Siegel initially portraying Superman as champion to a variety of social causes.[34] In later Superman radio programs the character continued to take on such issues, tackling a version of the KKK in a 1946 broadcast.[35][36] Siegel and Shuster's staus as children of Jewish immigrants is also thought to have influenced their work. Timothy Aaron Pevey has argued that they crafted "an immigrant figure whose desire was to fit into American culture as an American", something which Pevey feels taps into an important aspect of American identity.[37]

Siegel himself noted that the many mythic heroes which exist in the traditions of many cultures bore an influence on the character, including Hercules and Samson.[6] The character has also been seen by Scott Bukatman to be "a worthy successor to Lindberg ... (and) also ... like Babe Ruth", and is also representative of the United States dedication to "progress and the 'new'" through his "invulnerable body ... on which history cannot be inscribed."[38] Further, given that Siegel and Shuster were noted fans of pulp science fiction,[14] it has been suggested that another influence may have been Hugo Danner. Danner was the main character of the 1930 novel Gladiator by Philip Wylie, and is possessed of same powers of the early Superman.[39]

Because Siegel and Shuster were both Jewish, some religious commentators and pop-culture scholars such as Rabbi Simcha Weinstein and British novelist Howard Jacobson suggest that Superman's creation was partly influenced by Moses,[40][41] and other Jewish elements. Superman's Kryptonian name, "Kal-El," resembles the Hebrew words קל-אל, which can be taken to mean "voice of God".[42] [43]. The suffix "el", meaning "(of) God"[44] is also found in the name of angels (e.g. Gabriel, Ariel), who are flying humanoid agents of good with superhuman powers. Jewish legends of the Golem have been cited as worthy of comparison,[45] a Golem being a mythical being created to protect and serve the persecuted Jews of 16th century Prague and later revived in popular culture in reference to their suffering at the hands of the Nazis in Europe during the 1930s and 1940s. Superman is often seen as being an analogy for Jesus, being a saviour of humanity.[41][45][34][46]

Whilst the term Superman was initially coined by Nietzsche, it is unclear how influential Nietzsche and his ideals were to Siegel and Shuster.[41] Les Daniels has speculated that "Siegel picked up the term from other science fiction writers who had casually employed it", further noting that "his concept is remembered by hundreds of millions who may barely know who Nietzsche is."[6] Others argue that Siegel and Shuster "could not have been unaware of an idea that would dominate Hitler's National Socialism. The concept was certainly well discussed."[47] Yet Jacobson and others point out that in many ways Superman and the Übermensch are polar opposites.[40] Nietzsche envisioned the Übermensch as a man who had transcended the limitations of society, religion, and conventional morality while still being fundamentally human. Superman, although an alien gifted with incredible powers, chooses to honor human moral codes and social mores. Nietzsche envisioned the perfect man as being beyond moral codes; Siegel and Shuster envisioned the perfect man as holding himself to a higher standard of adherence to them.[48]

Siegel and Shuster have themselves discussed a number of influences that impacted upon the character. Both were avid readers, and their mutual love of science fiction helped to drive their friendship. Siegel cited John Carter stories as an influence: "Carter was able to leap great distances because the planet Mars was smaller that the planet Earth; and he had great strength. I visualized the planet Krypton as a huge planet, much larger than Earth".[22] The pair were also avid collectors of comic strips in their youth, cutting them from the newspaper, with Winsor McKay's Little Nemo firing their imagination with its sense of fantasy.[49] Shuster has remarked on the artists which played an important part in the development of his own style, whilst also noting a larger influence: "Alex Raymond and Burne Hogarth were my idols — also Milt Caniff, Hal Foster, and Roy Crane. But the movies were the greatest influence on our imagination: especially the films of Douglas Fairbanks Senior."[50] Fairbanks' role as Robin Hood was certainly an inspiration, as Shuster admitted to basing Superman's stance upon scenes from the movie.[51] The movies also influenced the storytelling and page layouts,[52] whilst the city of Metropolis was named in honor of the Fritz Lang motion picture of the same title.[22]


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Next we watched two scenes from Green Mile. See http://www.christiananswers.net/spotlight/movies/pre2000/thegreenmile.html and http://www.google.com/search?sourceid=navclient&ie=UTF-8&rlz=1T4GGIH_enUS266US266&q=Christians+themes+in+the+Green+Mile.

Last we watched the last scene of Cool Hand Luke again in honor of Paul Newman who ironically died the week we finished the movie.

---Luke's death and resurrection?

Thoughts?

Friday, September 19, 2008

Christian Themes In "Cool Hand Luke"



On Wed. Nights, I am doing a study on Faith and Film led by Vick Griffin of our church. The first movie that we are watching is Cool Hand Luke. Reprinted below is a handout that Vick prepared, which I have hyperlinked relevant sections for further study:


Cool Hand Luke


-Released in 1967, starring Paul Newman

-Directed by Stuart Rosenberg

-Written by Donn Pearce and Frank Pierson, based on the novel by Donn Pearce

-Nominated for 4 Oscars [Best Actor in a Supporting Role, Best Actor in a Leading Role, Best Music, Original Music Score, Best Writing, Screenplay Based on Material from Another Medium]

-Won Oscar for Best Supporting Actor [George Kennedy]

-Supporting cast included Dennis Hopper, Harry Dean Stanton, Strother Martin, Jo Van Fleet, Ralph Waite, Wayne Rogers, Joe Don Baker and Anthony Zerbe, among others

-Cool Hand Luke was produced by Jalem Productions, which was Jack Lemmon's production company

-Contains arguably one of the most memorable lines in all of film history: "What we've got here is... failure to communicate."

-Luke as "Christ-figure"-

*Central character
*An Outsider
*Associates and/or Betrayer Associate
*Death and Resurrection [?]


Next week, we will finish watching the movie but we left off at this scene:


, which looks like this: doesn't it?

Thoughts? Comments? Suggestions?