Showing posts with label evangelism methods. Show all posts
Showing posts with label evangelism methods. Show all posts

Thursday, February 5, 2009

The Big Kahuna And Evangelism



First things first---we started our Wed. nights back up 2 weeks ago and Vick is doing the Faith And Films study again after our church-wide Winter hiatus from Wed. nights. We are doing new movies this time and started with the film, The Big Kahuna. Last night we discussed the film---anyways, here is a basic description of the film:
The Big Kahuna is a 2000 movie adapted from a play entitled Hospitality Suite, written by Roger Rueff, who also wrote the screenplay. John Swanbeck, the director, makes few attempts to lessen this film's resemblance to a stage performance: the majority of the movie takes place in a single hotel room, and nearly every single line of dialogue is spoken by one of the three actors.

Plot
Kevin Spacey plays Larry Mann, a relentlessly foul-mouthed cynic; Danny DeVito plays Phil Cooper, a world-weary average Joe; and Peter Facinelli is Bob Walker, a devout and earnest young Baptist. The three are in the industrial lubricant industry; Larry and Phil are marketing representatives and Bob is part of research and development. The three are attending a trade show where they expect to land a very important account, a rich businessman Larry refers to as The Big Kahuna. As the night progresses, Larry unleashes a torrent of scathingly funny witticisms, most directed at Bob, but finds himself relying on the newest member of the trio when their quarry invites Bob (and only Bob) to an exclusive party.

While Phil and Larry wait for Bob to bring them the news that could end their careers, they muse over the meaning of life. Bob finally returns and offers a bombshell: rather than try to sell their product, he has instead chosen to talk to the man with deep pockets about … religion. In the face of Larry's towering outrage, Bob stands fast for all that is pure and true. But Bob is unable to muster any reply at all when Phil quietly explains how he sees no difference at all between Bob's preaching and Larry's fast-talking.


Secondly, regardless of the language, which all language is socially constructed anyway---the film offers an interesting look at the question of evangelism in postmodernity. The word Evangelism comes from the Greek word "εὐαγγέλιον (transliterated as "euangelion/evangelion") via Latin "Evangelium", as used in the canonical titles of the four Gospels, authored by Matthew, Mark, Luke, and John (also known as the Four Evangelists). The Greek word εὐαγγέλιον originally meant a reward for good news given to the messenger (εὔ = "good", ἀγγέλλω = "I bring a message"; the word angel is of the same root) and later "good news"." Here are Vick's discussion questions:

Going back to the question of evangelism, the question is framed as such: should evangelism be as: ---part 1

---part 2 as the fundamentalists/pharisees/traditionalists/so-called keepers of orthodoxy suggest or: as the emerging/emergent/moderate progressive/liberal Christians suggest.

This quote from the movie critiques the former view and accepts the later view of believers building relationships with non-believers as Jesus does in the Scriptures:
Phil Cooper: "It doesn't matter whether you're selling Jesus or Buddha or civil rights or 'How to Make Money in Real Estate With No Money Down'. That doesn't make you a human being; it makes you a marketing rep. If you want to talk to somebody honestly, as a human being, ask him about his kids. Find out what his dreams are – just to find out, for no other reason. Because as soon as you lay your hands on a conversation to steer it, it's not a conversation anymore; it's a pitch. And you're not a human being; you're a marketing rep."
For more ideas about the movie see: The Big Kahuna.

Thursday, October 16, 2008

Preteens use dance to share faith

Here's an interesting article from York Daily Record / Sunday News that I found when I was looking up something on Contemporary Christian Music:

Preteens use dance to share faith
'Worship dance' company performs at churches

By MELISSA NANN BURKE
Daily Record/Sunday News

Article Last Updated: 09/25/2008 12:24:53 PM EDT

Allison Smith, center front, dances last week with other members fo Believe, a worship dance company at the Greater York Center for Dance Education. (DAILY RECORD/SUNDAY NEWS - BIL BOWDEN)

The preteen dancers look like others you'll find stretching in contortive positions on the hardwood floor of any American dance studio.
Black leotards, pink tights, locks pinned into hair-netted buns.

But when these girls take the stage, they don't tendue and tour to Tchaikovsky. They sashay to Steven Curtis Chapman. Instead of jazz hands, they bring their palms together in prayer.

They stretch their arms heavenward, wishing to be closer to God. At other points, dancers bow their heads in submission, miming a plea for forgiveness.

Their dance company is called Believe, a 3-year-old troupe based at the Greater York Center for Dance Education and performing in a style that blends elements of ballet, modern and lyrical dance.

Marina Rosario, a dancer with Believe, rehearses with the worship dance group. The troupe performs at local Christian congregations. (DAILY RECORD/SUNDAY NEWS - BIL BOWDEN)

"I thought this was a good way to connect the two things I love most -- my faith and my love for dance," said 13-year-old Rebecca Swartz, an eighth-grader at Central York Middle School.

"The music is spiritual. It pleases God, and it's not like hip-hop, where the words can be bad or mention drugs."

Eleven-year-old Sarah Hoffman said, "If God gave me the gift of dance, I should express it back to him by using the talent he gave me."

The girls said they love the freedom of creating their own routines -- something they aren't permitted to do in other classes.

"It's more heart-driven dancing," said Lori Pergament, GYCDE's artistic director.

"It's open. Spiritual. If they're feeling moved by something, they can contribute to the choreography."

Performing at church services and other congregational events, Believe is sharing its form of worship dance across the county, said teacher Breanna Rufle Gruver.

"We just try to get across a positive message," said Gruver, a Catholic who began dancing at age 5.

"I'm a teacher in a lot of classes but I feel a special connection to my girls on worship team. You just feel closer to somebody when you have that spiritual connection."

Gruver prays with the dancers before rehearsal. At performances -- usually two or three each spring -- they gather in a circle and ask God to bless their performance and communicate his love to their audience.

Believe charges nothing to congregations who ask them to perform. Their only requirement is space -- roughly 30 feet by 10 feet.

771-2024; mburke@ydr.com

ON THE WEB

· Celebration of Dance

· International Christian Dance Fellowship

· Christian Dance Fellowship USA

· Dance in Christian Worship

-Find more news about faith, values and belief locally and nationwide in our new "Faith Life" section


Brings back memories of Youth Group and interpretive dance classes that were often offered at Youth camps like Centrifuge. What are your thoughts?